Cottedge

I recently returned from an energizing and very inspiring trip to India. While the trip included sourcing and manufacturing for Cottedge, it was equally an exploratory visit. I spent time in Kutch, Gujarat, learning directly from the artisans and weavers who carry forward generations of textile knowledge.

From Ajrakh block printing and Bandhani (tie-dye) to embroidery and handloom weaving, I had the opportunity to immerse myself in the processes, stories, and people behind these crafts. What stood out most was the balance I witnessed everywhere - deep respect for traditional techniques alongside a strong spirit of innovation and experimentation, especially among younger artisans.

In Ajrakhpur, I learned about the complex, multi-step process of natural dyeing and Ajrakh block printing, and saw how artisans continue to push boundaries through new color combinations and layered techniques. In Bhuj, Bandhani artisans are reimagining ancient tie-dye methods with fresh palettes and traditional + contemporary patterns. Embroidery artisans are expanding beyond classic mirrorwork into appliqué and unexpected color stories.

I also visited handloom weavers creating beautiful, distinctive textiles through intricate warp and weft techniques using dyed yarns. The character of each fabric is shaped by many factors - the number of threads used, whether the yarn is hand-spun or mill-spun, and how the yarn is starched and finished. Witnessing entire families involved in different stages of the weaving process was especially moving.

Again and again, I was welcomed into homes and workshops with warmth, conversation, and tea. These moments of connection are as integral to the textiles, and to what we do at Cottedge, as the techniques themselves.

Each craft in Kutch is deeply rooted in its community, passed down through generations and preserved through shared knowledge. This connection between people, process, and place continues to inspire me, and it shapes how Cottedge designs, collaborates, and creates. 

Until next time. I look forward to continuing this work with care and intention.

A closer look at the Kediya - a traditional silhouette from Kutch, Gujarat, reimagined with Dhebariya Rabari artisans in handwoven Kala cotton and hand block-printed fabrics.

For our latest natural dye collection, we’ve partnered with a thoughtful brand called Bageeya. They work with medicinal herbs like Myrobalan and Cutch, along with repurposed flowers from temple offerings in India, to create naturally dyed pieces that are both beautiful and meaningful.

In Hindu temples across India, devotees offer flower garlands as a symbol of devotion. Each day, the fresh flower garlands are replaced, and the ones from the previous day, although still vibrant and fragrant, are usually thrown into water as part of the temple’s daily ritual. Bageeya gives these flowers a second life, transforming them into dyes that infuse fabric with earthy, one-of-a-kind tones.

What drew me to this collaboration is the combination of intentional design, use of natural, handspun and handwoven fabrics, and the sustainability of turning what would otherwise go to waste into something so charming and full of character. Having tried natural dyeing at home during the pandemic with my daughters, I’ve experienced firsthand how unpredictable and labor-intensive the process can be. It’s a delicate balance of art and science affected by temperature, humidity, and time making every piece truly unique.

The silhouettes in this collection are easy to wear, with a focus on letting the textile shine. These aren’t pieces that need much styling - the fabric and abstract prints speak for themselves. Simple, effortless dressing is where they really come alive.

Perfect for summer, the pieces are breathable, naturally dyed, and rich in story. There’s something truly special about wearing clothing that feels this connected - to nature, tradition, and craft.